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In honor of Obama’s decision to halt deportations of DREAM eligible immigrants, a great piece from last year by Jose Antonio Vargas:

I decided then that I could never give anyone reason to doubt I was an American. I convinced myself that if I worked enough, if I achieved enough, I would be rewarded with citizenship. I felt I could earn it.
I’ve tried. Over the past 14 years, I’ve graduated from high school and college and built a career as a journalist, interviewing some of the most famous people in the country. On the surface, I’ve created a good life. I’ve lived the American dream.
But I am still an undocumented immigrant. And that means living a different kind of reality. It means going about my day in fear of being found out. It means rarely trusting people, even those closest to me, with who I really am. It means keeping my family photos in a shoebox rather than displaying them on shelves in my home, so friends don’t ask about them. It means reluctantly, even painfully, doing things I know are wrong and unlawful. And it has meant relying on a sort of 21st-century underground railroad of supporters, people who took an interest in my future and took risks for me.

The full article is available here. 
(via longform)
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In honor of Obama’s decision to halt deportations of DREAM eligible immigrants, a great piece from last year by Jose Antonio Vargas:

I decided then that I could never give anyone reason to doubt I was an American. I convinced myself that if I worked enough, if I achieved enough, I would be rewarded with citizenship. I felt I could earn it.

I’ve tried. Over the past 14 years, I’ve graduated from high school and college and built a career as a journalist, interviewing some of the most famous people in the country. On the surface, I’ve created a good life. I’ve lived the American dream.

But I am still an undocumented immigrant. And that means living a different kind of reality. It means going about my day in fear of being found out. It means rarely trusting people, even those closest to me, with who I really am. It means keeping my family photos in a shoebox rather than displaying them on shelves in my home, so friends don’t ask about them. It means reluctantly, even painfully, doing things I know are wrong and unlawful. And it has meant relying on a sort of 21st-century underground railroad of supporters, people who took an interest in my future and took risks for me.

The full article is available here. 

(via longform)

Source: The New York Times

    • #DREAM
    • #Obama
    • #Jose Antonio Vargas
    • #The New Americans
    • #immigration
    • #undocumented immigrants
  • 11 months ago
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KARTEMQUIN

FILMS

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  • Generation Food
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  • No Crossover: The Trial of Allen Iverson 2010
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  • Mapping Stem Cell Research: Terra Incognita 2007
  • Golub: Late Works Are the Catastrophes 2004
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  • Chicago Crossings: Bridges and Boundaries 1994
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  • Higher Goals 1992
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  • Golub 1988
  • Women's Voices: The Gender Gap 1984
  • Taylor Chain II: A Story of Collective Bargaining 1983
  • The Last Pullman Car 1983
  • Taylor Chain I: A Story in a Union Local 1980
  • The Chicago Maternity Center Story 1976
  • HSA Hospital Strike '75 1975
  • UE/Wells 1975
  • What's Happening at Local 70? 1975
  • Where's I. W. Abel? 1975
  • 1967-1974
  • Now We Live on Clifton 1974
  • Trick Bag 1974
  • Viva la Causa 1974
  • Winnie Wright, Age 11 1974
  • Sports-Action Pro-Files 1972
  • Anonymous Artists of America 1970
  • Hum 255 1970
  • Marco 1970
  • What the Fuck Are These Red Squares? 1970
  • Inquiring Nuns 1968
  • Parents 1968
  • Thumbs Down 1968
  • Home For Life 1966

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For over 45 years, Kartemquin Films has been making documentaries that examine and critique society through the stories of real people. This tumblr stays engaged with the social issues covered in our films. Kartemquin Films

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